Hampson House – Maternity Outpatients at The Rotunda Hospital, Dublin

Date: 2025

Dimensions: Artwork 1 Weaving Stories – 2.9 x 1.1 m. Artwork 2 Crossing Country– 3 x 0.8 m . Artwork 3 Knitting Together– 3 x 0.8 m.

Materials: Artworks on three floors, printed and textured ceramics.

Techniques: Ceramics – various printing techniques, textured and formed using plaster and hand carved tools and stamps.

Commissioned by: HSE through the Percent for Art Scheme

Location: Floors 1, 2 and 3 of the Hampson House outpatients building, Earl Street Dublin.

Architects:  O’Connell Mahon Architects

Description: ‘Weaving Stories’, ‘Crossing Country’ and ‘Knitting Together’ are a group of connected artworks for the newly built Hampson House- an Out Patients Department for the Rotunda Hospital  in Dublin. Made in printed ceramics, and vinyl wallcovering, it was commissioned by the HSE through the Percent for Art Scheme and has an artwork on each floor ( 1, 2 and 3).

The new Building is named after Sara Hampson, First Lady Superintendent of the Rotunda Hospital. https://rotunda.ie/history-of-rotunda-hospital/

Patterns, poems and quilts-

The dynamics of the population of Dublin have undergone radical changes in the past few years and the city has a multicultural mix of people living and working there. With this in mind, the two artworks on floor 1 and 2, embraces this diverse mix and brings together patterns and poems from around the world, linking them to landmarks in the city. These are recreated onto ceramic surfaces and made to look sewn surfaces through clever use of plaster casting, and tied together in the form of a modern reinvention of the quilt. Each artwork has a number of different tiles placed in a regular pattern with each one evoking a memory, a place, a recollection of a poem or the sound of a song.

Quilts were traditionally made up from remnants of fabrics from other items of clothes worn by family members and have a significance by their ability to recall other people, places and times. We remember who wore the original shirt or skirt and this often brings back fond memories of days out, places visited and people long past. Quilts can be seen as providing a sense of comfort and care as well as a connection to people and places.

To keep the theme of patterns and places, the 3rd artwork depicts the river Liffey in a series of flat semicircular tiles with printed and textured surfaces arranged to evoke a pattern of knitted rows.  A printed circular vinyl, taken from the ceramic surfaces on the tiles, draws the eye down the corridor and links to an image from the Rotunda building.

Knitting and crochet are a tradition that has been recently revived with the popularity of yarn bombing and knitting and crochet groups. The coming together of people to make and socialise has long been recognised as both good for mental health and, as well as creatively important, to enable us to learn from each other.

Knitted garments have been made in Ireland since the 16th century, and crochet was introduced to Ireland in the 1700s by Ursuline nuns from France. When the Irish Potato Famine came, many women began crocheting lace items at home to sell as a source of income. Knitting has been a craft that evolved into a modern industry from Donegal wools and Aran patterns to contemporary designer knits.

The relevance for this location- This artwork provides a colourful and tactile embellishment to the walls of the unit which connects to the patterns both in quilts and knitting/crochet and to the historic area surrounding the hospital. It is designed and made so that it is robust, can be easily cleaned and is relevant to both staff, visitors and patients.

Pattern, images and wording were researched before making began with agreement from the Public Art Working Group.

Artwork 1 ‘ Weaving Stories’ on the first floor has 36 different diamond shaped tiles ( two rectangles face to face), placed in a regular pattern to resemble a quilt. Each one has a significance to a fabric, a song, saying or poem or a building detail.

Artwork 2 ‘ Crossing Country’ on the second floor has 33  different tiles in stars or crosses placed in a row of three and extending around the corner of the waiting area in level 02. Each one has a pattern researched from some of the communities who live in Dublin and has a connection with a fabric traditionally worn or used by women.

Artwork 3 ‘Knitting Together’ on the third floor has 34 semicircular printed tiles placed to resemble two knitted  rows. The river, as a heartbeat of the city, is abstracted into two rows of curved tiles facing each other with images of plants, birds and animals found along the water. Two external rows in lighter blues and greens depict mammals, trees, plants and some buildings, and several tiles have poetry, nursery rhymes, and sayings that tie in with some landmarks along the river.

The aim of the artworks is to

Use as way-finding for each ward, at entrances and ends of corridors and opposite reception areas.

The overarching concept for the artwork is ‘Heartbeats of Dublin – Embracing every Journey’ encompassing the following themes, to:

  • Inspire hope and comfort,
  • Celebrate diversity and community,
  • Foster connections between mother and child,
  • Pay homage to Dublin’s Inner City and celebrate the landmarks in the local community.

Participants in the project

Part of the process was to involve staff and patients in the artwork by collecting stories and fabric patterns to use. The flyer was sent out with a tight deadline early in 2025 and some of the responses were included in the finished surfaces.

Arts approach and method
Several site visits identified a number of suitable places for each artwork with waiting areas, reception walls and corridors picked for maximum impact.

The artist began the project by researching all the different nationalities that use the service in Dublin in 2024. By looking through public records and with the help of a staff from the Rotunda, several themes emerged that incorporated global patterns and poems with personal memories and places.


Evaluation outcomes

Feedback from each meeting, which was invaluable to the success of the artwork. The enthusiasm of the people involved and the input by members of staff ensured that the art was relevant to the people who would be using this new hospital. Liaising with the architects on design aspects and the placement of each of the various elements ensured the art fitted in with their vision and design.

From the artist: “This project gave me the opportunity to research the backgrounds of some of the nationalities who live and work in Dublin and are using the new maternity services to create a series of artworks that foster connections within family groups.”

First Floor – Artwork 1. ‘Weaving Stories’ 

Meanings of tiles –

1st row-

1.Playground counting Rhyme +Bucranium from the Ambassador Theatre building,

2,3,4,5- counting rhyme  with fish,

6.Robin- poem – ‘The North wind doth blow’

7 Finger rhyme for childrens play-

8 Irish song + river god statue from the Custom House building

2nd row

9.Poem –’The Cuckoo comes in April’ + speed bird African print

  1. Rebozo fabric print,

11.Nursery rhyme- ‘Mary Mary quite contrary’+ Indian block print,

12.Black and white Moldavian and Romanian floral and geometric embroidery print+ buttons,

  1. Mokosh- Slavic fertility goddess,

14.Kanga- Sifa ya mama ni huruma na upendo- “A mother’s trait is love and compassion”

  1. Embroidered texture + Sari print

3rd row

  1. Tongue twister –’She sells sea shells on the sea shore’,
  2. Vietnamese pattern + silk print
  3. Finger game- ‘Round and round the garden’+ African fabric print,

19.Sari texture+ Indian mother and child,

  1. Abraham Lincoln quote-’All that I am or hope to be’, I owe to my angel mother’
  2. Scottish nursery rhyme- ‘Inty tinty tethery methery’ + plaid weave blanket
  3. Nursery rhyme- ‘Hickery dickery dock ‘+ Clerys clock,

23.Irish song + Anna Liffey sculpture from the Custom House building

First floor Images:

Second Floor – Artwork 2. ‘Crossing Country’ 

 

Corridor wall (Pinks and Reds)

Top row

  1. Pink- St Brigits Cross- Patron saint of Midwives
  2. Red Fabric from an Indian embroidery and textured roller
  3. Peacocks from Indian Kasuti embroidery

Middle row

  1. Embroidery
  2. Jewelled silk fabric- direct print
  3. Sari print in pink and orange.

Bottom row

  1. Japanese embroidered dragon from a kimono
  2. Orange print from textured fabric
  3. Pale orange elephant print from Kasuti embroidery.

Side wall (Yellow Green Blue)

Top row

  1. Speed bird- African print (freedom, transition, change)
  2. African print-
  3. Aran Jumper direct print ( garment made by the artist’s mother), ‘Diamond stitch’ brings the wearer wealth and success.
  4. Rebozo pattern from Mexico
  5. Buttons and embroidery
  6. Asanohais a classic Japanese pattern that mimics the form of hemp leaves, a grass that grows quickly and straight, express wishes for the good health and growth of babies.
  7. Tie dye bandhani from Gujarat, Rajastan and Sindh
  8. Crochet from Ireland

Middle Row

18.Chinese baby carrier print- Mei Dai

19. Indian Kalamkari print with elephants and birds
20. Embroidery with grapes
21. Asante African print
22. Swallows flying through clouds.
23. Polish Wycinanki, traditional paper cutouts here using peacocks, a symbol of  immortality, renewal and protection.
24. Japanese wave “seigaiha” pattern in Japanese art represents ocean waves and is often associated with luck and good fortune. This tile is finished with ceramic buttons.
25. Bulgarian embroidery, known as “shevitsa” is a rich cultural tradition characterized by intricate patterns, vibrant colors, and symbolic meanings, representing protection, fertility, and prosperity.

Bottom row
26. Four leaf clover embellished print
27. Print from Indian Gujarati cloth
28. African Adrinka symbols (https://www.adinkrasymbols.org)
29. Green fabric print
30. Welsh portcullis blanket pattern
31. African Adrinka symbols
32. Hmong batik
33. Tamil Nadu embroidery print

Second floor Images:

Third Floor – 3. ‘Knitting Together’

Third floor Images: